I-only-achieve-simplicity-with-enormous-effort.
Clarice Lispector

ummhello:

Newton House, NADAAA

86 notes

philphys:

Annie Hall, Woody Allen

55 notes

Tao Te Ching Written by Lao-tzu From a translation by S. Mitchell

0 notes

myidealhome: winter window seat (via lantiv)

myidealhome:

  • winter window seat (via lantiv)

(via architectureblog)

718 notes

mini-mal-me: La Pallaresa complex

mini-mal-me:

La Pallaresa complex

609 notes

If I could cry, it might make things easier.

Haruki Murakami
“Sometimes I’d wake up at two or three in the morning and not be able to fall asleep again. I’d get out of bed, go to the kitchen, and pour myself a whiskey. Glass in hand, I’d look down at the darkened cemetery across the way and the headlights of the cars on the road. The moments of time linking night and dawn were long and dark. If I could cry, it might make things easier. But what would I cry over? Who would I cry for? I was too self-centered to cry for other people, too old to cry for myself.”
— South of the Border, West of the Sun by Haruki Murakami.

3 notes

christianhavngraphic: gif #289 Post by christianhavngraphic Find me on Twitter / Facebook

christianhavngraphic:

gif #289

Post by christianhavngraphic

Find me on Twitter / Facebook

(Source: ifeltblank)

21 notes

oxane: Mac Wells, Convergence by Wyeth Alexander Mac Wells (American 1925-2009) Convergence 1965 Acrylic on canvas 30 1/2 in x 50 1/2 in Artist’s Biography: Mac Wells has been an active member of the American Abstract Artists since 1967. He conveyed his love of art to art students over 30 years of teaching at Hunter College. Mac Wells was born in Cleveland, Ohio in 1925 and moved to New York in 1951. Wells showed with the A.M. Sachs, Max Hutchinson and Susan Caldwell Galleries in the 1960s and 1970s. During the 1960s the artist was close to the Park Place cooperative and exhibited paintings along with this group. In 1993 he was the recipient of a Mark Rothko Foundation Award Exhibition at ARTISTS SPACE in New York. His work is included in many collections, including The Wadsworth Atheneum, Harford CT, The Denver Museum of Art, Denver CO, The Santa Fe Museum, Santa Fe NM, Columbus Museum of Fine Art, Columbus OH, Larry Aldrich Museum, Ridgfield CT, and the Print Collections of the Guggenheim Museum, NY, The Whitney Museum of American Art, NY and The New York Public Library. (Biography courtesy of Minus Space)

oxane:

Mac Wells, Convergence by Wyeth Alexander

Mac Wells (American 1925-2009)
Convergence
1965
Acrylic on canvas
30 1/2 in x 50 1/2 in

Artist’s Biography:
Mac Wells has been an active member of the American Abstract Artists since 1967. He conveyed his love of art to art students over 30 years of teaching at Hunter College. Mac Wells was born in Cleveland, Ohio in 1925 and moved to New York in 1951. Wells showed with the A.M. Sachs, Max Hutchinson and Susan Caldwell Galleries in the 1960s and 1970s. During the 1960s the artist was close to the Park Place cooperative and exhibited paintings along with this group. In 1993 he was the recipient of a Mark Rothko Foundation Award Exhibition at ARTISTS SPACE in New York.

His work is included in many collections, including The Wadsworth Atheneum, Harford CT, The Denver Museum of Art, Denver CO, The Santa Fe Museum, Santa Fe NM, Columbus Museum of Fine Art, Columbus OH, Larry Aldrich Museum, Ridgfield CT, and the Print Collections of the Guggenheim Museum, NY, The Whitney Museum of American Art, NY and The New York Public Library.

(Biography courtesy of Minus Space)

684 notes

(Source: ummhello)

43 notes

(via loveontheground)

1,316 notes

(via loveontheground)

199 notes

(Source: minimalisms, via loveontheground)

4,186 notes

(Source: entretodoynada, via heartisbreaking)

6,019 notes

tylerknott: I know how you feel. Old Broken Tree in Fog (by TylerKnott)

tylerknott:

I know how you feel.

Old Broken Tree in Fog (by TylerKnott)

94 notes

In Japanese, we have the word “mujo (無常)”. It means that nothing lasts forever. Everything born into this world changes and will ultimately disappear. There is nothing eternal or immutable on which we can rely. This view of the world was derived from Buddhism, but the idea of “mujo” was burned into the spirit of Japanese people, and took root in the common ethnic consciousness.

Haruki Murakami (via antemnarium)

(via antemnarium)

7 notes